tv commercial / print ad / activation
new beginning
This is a long-term project for me and I attempted a wide range of material, such as colored pencil, acrylic, oil pastel, watercolor and charcoal to observe and record the appearance of naked models.
At the same time, I would like to use these materials to explore the relationship between them and me on a deeper level, even in terms of drawing techniques, such as lines and marks: the slow line, the fast line, the ‘emotional’ mark and ‘cool’ mark.
Furthermore, I don’t hope that documenting these models very realistically, but rather depict them through the visual language of what I saw and felt in the environment at the time.
tv commercial / short film
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.This is a long-term project for me and I attempted a wide range of material, such as colored pencil, acrylic, oil pastel, watercolor and charcoal to observe and record the appearance of naked models.
At the same time, I would like to use these materials to explore the relationship between them and me on a deeper level, even in terms of drawing techniques, such as lines and marks: the slow line, the fast line, the ‘emotional’ mark and ‘cool’ mark.
Furthermore, I don’t hope that documenting these models very realistically, but rather depict them through the visual language of what I saw and felt in the environment at the time.
tv commercial / short film
This is a long-term project for me and I attempted a wide range of material, such as colored pencil, acrylic, oil pastel, watercolor and charcoal to observe and record the appearance of naked models.
At the same time, I would like to use these materials to explore the relationship between them and me on a deeper level, even in terms of drawing techniques, such as lines and marks: the slow line, the fast line, the ‘emotional’ mark and ‘cool’ mark.
Furthermore, I don’t hope that documenting these models very realistically, but rather depict them through the visual language of what I saw and felt in the environment at the time.
This is a long-term project for me and I attempted a wide range of material, such as colored pencil, acrylic, oil pastel, watercolor and charcoal to observe and record the appearance of naked models.
At the same time, I would like to use these materials to explore the relationship between them and me on a deeper level, even in terms of drawing techniques, such as lines and marks: the slow line, the fast line, the ‘emotional’ mark and ‘cool’ mark.
Furthermore, I don’t hope that documenting these models very realistically, but rather depict them through the visual language of what I saw and felt in the environment at the time.
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The Drum
Club de Criacao
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M365
Recognized by
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The Drum
Club de Criacao
Credit
Agency: TBWA/CHIAT/DAY NY
Executive Creative Directors: Walt Conelly
Creatives: Ashley Veltre, Holden Rasche, Shannon Murphy,
Royston Ang, Alli Walker, Belen Aragon
Category
Campaign US
The Drum